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101x2 New renowned pretend booklet (202 New renowned Songs mixture sort) - For All well known tools (C-book)

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Additional info for 101x2 New Popular Fake Book. 202 New Popular Songs Combo Style - For All Popular Instruments (C-book)

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At the same time, though, there are repertories in which the three terms can’t be sensibly differentiated music, say). In all these ways the National Curriculum/GCSE terminology gives, at most, a new gloss on old thinking. There is, in short, a nexus of interrelated assumptions built into the basic language we use of music: that musicianship is the preserve of appropriately qualified specialists; that innovation (research and design) is central to musical culture; that the key personnel in musical culture are the composers who generate what might be termed the core product; that performers are in essence no more than middlemen, apart from those exceptional interpreters who acquire a kind of honorary composer’s status; and that listeners are consumers, playing an essentially passive role in the cultural process that, in economic terms, they underpin.

Is it because I’m hearing it increasingly critically, in the sense that I describe in later chapters of this book – as something that isn’t just ‘natural’ but (Could this have something to do with the stereotypically gendered construction of the public sphere in the nineteenth century? ) Then again, is it because in these days of public-sector stringency the need for all those dinner-jacketed musicians seems too wilfully extravagant, by comparison to the lean efficiency and flexibility of today’s pop groups, or early music groups for that matter?

Chronological and geographical differences evaporate as we 39 increasingly think of music as an almost infinite pool of resources to be pulled off the shelf or downloaded from the Web. And this might be seen as the ultimate realization of the idea of music that evolved during the early years of the Beethoven cult, the years when the canon of classical masterworks came into being, with major works being laid down as cultural capital instead of going out of fashion a generation after they were composed.

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